Central Park Squirrels Launch Lawsuit

Accuse joggers of trespassing

It’s not joggers versus dogs anymore—it’s joggers versus squirrels. According to reports, Central Park squirrels have filed a class-action lawsuit accusing joggers of trespassing on their “ancestral nut territory.”

The rodents claim joggers have destroyed prime acorn real estate with overpriced sneakers, disrupting their “burial investments.” Lead squirrel attorney Nutty McCheeks told reporters, “These humans think the park is theirs. In reality, it’s been a squirrel subdivision for centuries. We have deeds—written in chewed bark.”

Joggers are outraged. “I pay $200 a month for gym leggings,” cried one Upper West Side runner. “I’m not giving way to a squirrel.” Meanwhile, tourists cheer the lawsuit, grateful someone is slowing joggers who treat the park like an Olympic track.

Tabloids went nuts. “SQUIRREL SUES” screamed the Post. The Daily News countered: “ACORN JUSTICE.” Social feeds filled with memes of squirrels wearing tiny wigs and gavels. TikTok challenges include #SquirrelCourt, where users squeak legal arguments while holding cashews as microphones.

Mayor Adams promised to mediate by offering squirrels acorn subsidies, while Governor Hochul vowed to plant more nut trees “as reparations.” Lawyers predict the case could drag on, especially after squirrels demanded damages in cashews, pistachios, and one pecan pie per jogger.

For now, the lawsuit keeps Central Park divided. As one bystander put it: “Only in New York would I see squirrels lawyering up.”

SOURCE: https://bohiney.com/central-park-squirrels-lawsuit/

SOURCE: https://bohiney.com/central-park-squirrels-lawsuit/.

By: Annika Steinmann.

Annika Steinmann, journalist at bohiney.com -- Central Park Squirrels Launch Lawsuit
Annika Steinmann, journalist.

By Helene Voigt

Helene Voigt ([email protected]) - Hell's Kitchen satirist covering NYC's theater district, Broadway economics, and the entertainment industry's spectacular inequality. Former stand-up comic who understands show business exploitation from lived experience. Specializes in exposing the gap between Broadway's glamorous reputation and its gig-economy reality. Documents struggling artists, overpriced tickets, and the gentrification erasing Hell's Kitchen's gritty authenticity. Her German directness cuts through theatrical bullshit like a knife through overpriced intermission wine.

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